HBO Max recently encountered issues with the release of a 4K remaster of Mad Men, prompting discussion among viewers regarding the quality of the upload. The remaster has been criticized for various errors, including incorrect episode titles and visible production crew on-screen. According to reports, these mistakes stemmed from Lionsgate Television, the show’s original production company, sending the wrong set of exported files for the remaster.
One notable error occurred in the episode “Red in the Face,” where the special effects foreman Shannon Thompson was unintentionally captured on camera. Thompson, who has an extensive background in special effects, expressed surprise at the oversight. He noted the behind-the-scenes efforts that typically ensure such details are not visible to viewers. The crew often positions themselves carefully during filming to remain off-camera, anticipating that any necessary adjustments would be handled in post-production.
Thompson detailed his journey into special effects work, mentioning that it began with interests in creative and mechanical tasks, leading to collaborations with seasoned effects professionals. On Mad Men, he managed atmospheric effects, ensuring elements like snow, steam, and the show’s notorious elevator doors appeared seamless and realistic.
One specific challenge he faced was creating a realistic projectile vomit effect for the “Red in the Face” episode. Thompson described the research involved in studying vomit to achieve a believable appearance, which led to discussions about the desired consistency based on the plot requirements. In this case, a clam chowder-like texture was needed based on the character’s choices.
The mix-up during the remastering process raises questions about the checks and balances in place to verify final outputs, particularly in high-profile projects. How might improved oversight prevent such errors in the future?
Source: https://www.theverge.com/entertainment/839591/man-men-shannon-thompson-interview