The film “One Battle After Another,” directed by Paul Thomas Anderson, is gaining attention for its various viewing formats. Originally shot in an uncommon 70-year-old VistaVision celluloid, the film can only be seen in this format at four cinemas worldwide—one in London and three in the U.S. Additionally, the film has an Imax version using both 70mm celluloid and the more prevalent digital Imax format. Several cinemas are also offering traditional 70mm film projection, while most screenings will take place in standard digital formats.
With declining cinema attendance being a concern, there seems to be a trend toward elevating the film-watching experience. Notable figures like Tom Cruise and Christopher Nolan have actively promoted the importance of cinema attendance, with Nolan’s upcoming film, “The Odyssey,” being particularly designed for Imax formats. Such screenings often promise immersive experiences, but they typically come at a higher ticket price.
There is ongoing debate about the merits of various viewing formats. Some cinephiles argue that VistaVision offers a superior visual experience, while others contend that Imax provides the true thrill of cinema. Viewing experiences can be subjective, with some preferring smaller, local theaters over larger venues.
The context of viewing preferences raises questions about what truly constitutes the optimal cinematic experience. Factors such as screen size, room ambiance, and audience engagement play significant roles. After attending “One Battle After Another” on a large screen at a multiplex, the vibrant visuals and energetic score were appreciated, even if not in the film’s most premium format.
Overall, the film and its varied presentation methods evoke a broader conversation about the future of cinema attendance and the shared experience it offers, prompting reflection on how much the format of viewing truly influences appreciation.
Source: https://www.theguardian.com/commentisfree/2025/oct/11/imax-70mm-vistavision-watch-movies-cinema